The Incredible Jimmy Smith
”I’m Movin’ On”
( LP Blue Note Records, 1963 )
Catalog # BLP 4255
** Also issued on Blue Note BST 84255
”I’m Movin’ On”
( LP Blue Note Records, 1963 )
Catalog # BLP 4255
** Also issued on Blue Note BST 84255
Tracklisting:
Hotel Happiness
Cherry
'T Ain't No Use
I'm Movin' On
Back Talk
What Kind Of Fool Am I?
**Bonus Tracks:
Organic Greenery
Day In, Day Out
Personnel & Credits:
Jimmy Smith (org)
Grant Green (g)
Donald Bailey (d)
Recorded at Rudy Van Gelder Studio,
Englewood Cliffs, NJ, January 31, 1963
Other [Original Liner Notes] - Ira Gitler
Producer - Alfred Lion
Recorded By [Recording Engineer] - Rudy Van Gelder
Artwork By [Cover Design], Photography [Cover Photo] - Reid Miles
Review:
The reissue of a formerly rare date has a perfectly suitable title for it is the first of four albums that organist Jimmy Smith made within an eight-day period for Blue Note beforepermanently leaving the label for Verve. Although notable for matching Smith with guitarist Grant Green in what would be their only joint recording (drummer Donald Bailey completes the trio), the music is fairly typical of a Jimmy Smith session with therepertoire including blues, a couple of standards and ballads. The solos are well-played but nothing too surprising occurs (except perhaps for the sappiness of "What Kind of Fool Am I"); the original LP program is expanded by the inclusion of two other selections from the same date.
By Scott Yanow (AMG)
Hotel Happiness
Cherry
'T Ain't No Use
I'm Movin' On
Back Talk
What Kind Of Fool Am I?
**Bonus Tracks:
Organic Greenery
Day In, Day Out
Personnel & Credits:
Jimmy Smith (org)
Grant Green (g)
Donald Bailey (d)
Recorded at Rudy Van Gelder Studio,
Englewood Cliffs, NJ, January 31, 1963
Other [Original Liner Notes] - Ira Gitler
Producer - Alfred Lion
Recorded By [Recording Engineer] - Rudy Van Gelder
Artwork By [Cover Design], Photography [Cover Photo] - Reid Miles
Review:
The reissue of a formerly rare date has a perfectly suitable title for it is the first of four albums that organist Jimmy Smith made within an eight-day period for Blue Note beforepermanently leaving the label for Verve. Although notable for matching Smith with guitarist Grant Green in what would be their only joint recording (drummer Donald Bailey completes the trio), the music is fairly typical of a Jimmy Smith session with therepertoire including blues, a couple of standards and ballads. The solos are well-played but nothing too surprising occurs (except perhaps for the sappiness of "What Kind of Fool Am I"); the original LP program is expanded by the inclusion of two other selections from the same date.
By Scott Yanow (AMG)
By Pier
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