Monday, 31 August 2009

Johnny Lytle ”I Giganti Del Jazz # 93”

Johnny Lytle

I Giganti Del Jazz # 93
( LP Curcio Editore, Italy, prob. 1970 )
Catalog # GJ-93

a. Memphis To K.C.
b. Mine
c. Walk A Soul Mile (Johnny Lytle)
d. Bag A Bones
e. Babo
f. One For Carter
g. Big Wheel
h. Save Your Love For Me

Albert Dailey (key)
Chester Thompson (d)
Johnny Lytle (vib)
with others unknown.

Issues: a-h on Sarpe (Sp) 93 titled LOS GRANDES DEL JAZZ and Curcio (It) 93 titled I GIGANTI DEL JAZZ.
Samplers: a also on Delta Music 24775 titled BLUES AFTER HOURS. c also on LaserLight 17 160 [CD] titled BIRTH OF THE COOL FUNK: VINTAGE JAMS AND SERIOUS GROOVES VOLUME 2, LaserLight 55 607 [3-CD] titled BIRTH OF THE COOL FUNK: VINTAGE JAMS AND SERIOUS GROOVES. e also on Soundsational (It) 2 titled THE BASIC PRINCIPLES OF SOUND: MUSIC FOR THE MODERN LISTENER VOLUME 2 and Drive (It) 634 [CD] titled JAZZIN’ OUT OF THE COOL 6.

Johnny Lytle Biography:
Considered one of the top vibes players in the world, Johnny Lytle was known for his great hand speed and showmanship. He was also a songwriter and wrote many of his own hits, including “The Loop,” “The Man,” “Lela,” “Selim,” and the jazz classic “The Village Caller.” Lytle recorded more than 30 albums for various jazz labels including Tuba, Jazzland, Solid State and Muse. Throughout his career he performed and recorded with jazz greats the likes of Louis Armstrong, Lionel Hampton, Miles Davis, Nancy Wilson, Bobby Timmons and Roy Ayers. The devoted father of three also featured his son, Marcel Lytle, on several of his recordings as a vocalist and drummer. Lytle was such an admirer of the music of the late, great Miles Davis that he wrote “Selim” (Miles spelled backwards) in honor of Davis, which features Davis’ former pianist Wynton Kelly.
Lytle never recorded with any of the major record labels, and that could be why he never gained the status of a jazz icon like some of his peers. Lytle felt that he would lose control of his music and creative development; Lytle liked to play what came natural to him, and being with a major label might not have afforded him that opportunity. Johnny Lytle grew up in a family of music, the son of a trumpeter father and an organist mother. He began playing the drums and piano at an early age. Before studying music in earnest, Lytle lent his hands to boxing, and was a successful Golden Gloves champion. During the late ’50s, Lytle landed jobs as a drummer for Ray Charles and others, and he also continued to box. But by 1960, the energetic Lytle had laid down his gloves and, inspired by the great Lionel Hampton, picked up the mallets, turning his full attention towards the vibraphone. He started a jazz band and began recording for the famed jazz label Riverside Records under the direction of Grammy award-winning producer Orrin Keepnews.
Lytle found success early in his career with chart-topping albums like A Groove, The Loop, and Moonchild. From his swinging uptempo tracks to his soul-satisfying ballads, Lytle knew how to keep a groove. And with a nickname like “Fast Hands,” he could always keep the attention of an audience. In addition to his musicianship, his gregarious personality made him a popular attraction on the jazz circuit. Even though Lytle did not experience the same success he was privileged to during the ’60s, he did continue to record and build a respectable catalog of music with recordings in the ’70s,’80s and ’90s.
Lytle remained a popular concert attraction in the U.S. and Europe; his last performance was with the Springfield (Ohio) Symphony Orchestra in his hometown in November 1995. At the time of his death, Lytle was scheduled to begin recording a new record on the Muse label.
By Craig Lytle (AMG)

More info on ”I Giganti Del Jazz” here.

Courtesy of Bill

1 comment:

libb said...



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